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Showing posts with label art in context. Show all posts
Showing posts with label art in context. Show all posts

Sunday, February 24, 2008

Living with Art


Often I think that the associations with the word “Art” are too strong and misunderstood. Art does not only belong in museums, public buildings or city landscapes. Art also belongs in your home, your bedroom, your bathroom, and your garden.

Recently while working on a project with a client in some part of the process I mentioned that we needed to consider some art pieces for the focal point of the room and other walls. My client looked hesitant " But I can't afford art in my space, art is so expensive! " Well I said. "Art doesn’t need to be expensive; It only needs to speak to you and your surroundings".

You can find really interesting pieces even in second hand stores. When you bring art to a living environment you bring interest and a more sophisticated feel. Art impacts space in a very personal way. One's art selections can reflect one's mood, vibrancy, culture, and even one's sense of humour in some cases. Art is for me a "stamp in your letter" (Spanish saying) or the icing on the cake for you Canadian people.

I have always been fortunate to be surrounded by art. I always thought that having art in your home was as common as having a dish washer or an iron. But this thought started changing when I realized that people often get intimidated by the word and by the art itself. Art can be found in so many ways – Paintings, Sketches, Photographs, Etchings, Sculptures, Masks, Object d’Art, or even an item of nostalgic value. Art can be expensive – yes! , but also art can be inexpensive; a simple framed napkin with a sketch on it can be art in itself. I wish I could have a sketch by Frank Gehry for example. Why not frame the latest cover of Rolling Stone Magazine with Britney Spears - Inside an American Tragedy? Art can be social and art can be political, but the most important thing is that art can be everywhere you are - just need to find it and make it yours.



Frank Gehry sketch of the Disney Music Hall in Los Angeles


Here are some example of some projects where I have use art.




African Masks - Shoal Point Project




Framed Fornassetti's Eve Wall Paper - Meade Design Group Studio




Etching and Handcarved Pho Dog - Shoal Point Project




"Man and the Bird" by Artist Cony Valdes - Marifield Project




Acid Photographs & Bar Code Panelling - Maple Bay Project




Handpainted Chinese Roll and Budha Head - Kona Project


For more pictures please visit
http://www.themeadegroup.com/




Sunday, February 3, 2008

Interview with Richard Roblin

I have always seen Vancouver Island as a very unique place; an island that is surprisingly full of design talents. You can find internationally recognized architects, interior designers, graphic designers, artists, set designers, sculptors and so on. A place where the inspiration doesn't get insular but rather is creating a unique voice in its final approach. Because of this I have decided to call my colleagues and friends and interview them and then in this way I can share their secrets, their works, their favourite things to do, their inspiration and most importantly share who the design talents on our island are.

Artist, architect, sculptor, and overall naturalist Richard Roblin is one of the island's talents that I have the great opportunity to know. Who can resist an invitation to his place - a place that will be soon featured in Boulevard magazine? I have always had a fascination with artists' studios. When you see an artist's studio you can begin to comprehend the extent of their work and so when I received a lunch invitation to Richard's new house I could not refuse. After having a wonderful Bouillabaisse soup perfectly prepared by Eve (Richard's wife) we went to his studio and had a fascinating chat about his art, his work, and his inspirations. Here are excerpts from our conversations.




Richard Roblin
http://www.richardroblin.com/

Richard Roblin's Studio


Ivan - Can you give some background on yourself?

Richard - To start with, I’m not an architect, but I have always held architecture as one of the great arts. My choice when I was in my teens was to go to architecture school or develop myself as an artist. I decided to do both. Direct from the early days I started to paint and what I painted was primarily the structure of nature and how it translated into the structure of creation itself, the creation of buildings and the creation of environments. That’s always been my primary interest in life, discovering new ways of creating environments that instil contemplative and inspirational spaces with a passion for beauty.

I guess my passion for beauty was instilled through my love of nature. I was inspired by Frank Lloyd Wrights’ philosophy of integration which is primary to my point of view as well, that there is nothing separate from nature.

Roblin Residence 2008 - Duncan, BC



Ivan - What do you think dominates your art? The use of colour or the use of form?

Richard -
Atmosphere. I don’t believe we are separate from the atmosphere we are in. The information, knowledge and inspirations that are there are compounded by being in a specific place and you are drawing the energy of the place. It’s the energy and response of a given place, it’s always shifting, it’s ephemeral.



Art in Context - Private Residence Montreal
http://www.richardroblin.com/


Ivan - Is your art influenced by architecture or your architecture influenced by art?

Richard - I think one informs the other.




House and Home Article
http://www.richardroblin.com/



Ivan - Because you are coming from an architectural background, do you think you have an advantage in the use of scale and proportion and also do use this knowledge in your art pieces?

Richard - I think the aspiration of every artist is to find equilibrium. In nature, everything is very well balanced.



Stephen Haller Fine Arts, New York


Ivan - When you do commission work, how do you keep your integrity as an artist?

Richard - I think there is direct naturalness that goes into the process and a love for the activity. It’s always a unique event.


Awakening - Art in Context
www.richardroblin.com


Ivan - Lately you been translating your art to area rugs, why this media?

Richard - I love to design everything: tables, lamps, sculptures and textiles. I’m interested in creating things. The creative desire is always there.


Untitled
http://www.richardroblin.com/


Ivan - As an artist, who has influenced you form the artistic world?

Richard - Luis Barragán from Mexico. His use of colour, form, and the uniqueness of his designs.


Untitled
www.richardroblin.com


Ivan - Since I first met you over 2 years ago, your work has taken an interesting development and moved away from being very linear to being more organic...

Richard - I tend to work in series. Every form is worth trying, whether it’s organic or linear.



Rosentzeig Collection, Montreal
http://www.richardroblin.com/


Ivan - It is difficult to show your art to full effect when you are showing pictures on the website, how do you try and deal with this?

Richard - I try and present my work on their own, and often in context. I believe that the environment that the work of art is integrated into is part of the artifact because it’s not in a museum. Often when I am presenting my work over the internet I will present it as an idea or inspiration of how it would appear in a living environment - that we live with these artifacts. It’s an everyday experience.

Ivan - We were discussing how technology has influenced our lives, how has technology influenced your art pieces now?

Richard - Well I’m more and more using the computer as in instrument to help in the creative process. I can use the computer to integrate pieces and then alter them to create new inspirations.

It’s all process. There is not a beginning or an end, it’s a continuum. We are always playing in that continuum, in that dance. So I don’t see a beginning or an end, I see the dance. As a dancer I just dance. As a painter I just paint.

Ivan - Coming from Montreal and having travelled extensively, how has your transition to life on Vancouver Island been?

Richard - It’s been a beautiful experience actually. There are no accidents. I always thought one day I would be living here. There is no shortage of inspiration , it’s a great place to be.
So many of my primary inspirations have come from my beautiful wife. Also inspiration comes from mediation which I try to practice every day.


Ivan - Thank you Richard, it's been a pleasure learning about your art and sharing the afternoon with you in your home and studio.